Marc Smith is creator/founder of the Poetry Slam movement. As stated in the PBS television series, The United States of Poetry, a "strand of new poetry began at Chicago’s Green Mill Tavern in 1987 when Marc Smith found a home for the Poetry Slam." Since then, performance poetry has spread throughout the world exported to over 300 cities large and small. Chalking up more than a 1000 performances in nightclubs, concert halls, libraries, universities, and on tops of hot dog stands, Smith continues to host and perform every Sunday night at Green Mill to standing room only houses. He has staged a multitude of special slam productions including Slam Dunk Poetry Day at Chicago’s Field Museum, The Summer Solstice Poetry Show at the Museum of Contemporary Art, and his touring troupe The Uptown Slam Experience. He has been featured on CNN, 60 Minutes, and WGN’s Chicago Tonight. He performs regularly with the Pong Unit Band, an eclectic musical quartet that rocks out, bops out, and Bachs out accompaniment to his spoken verse. In March of 2003 Sourcebooks released Spoken Word Revolution a book/CD anthology narrated by Marc and edited by his friend and protégé Mark Eleveld. Marc’s book Crowdpleaser and his CD It’s About Time are available through his website at www.slampapi.com
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Do you use myspace, facebook, twitter, or other social networking sites? If so, how do we find you on those sites?
myspace.com/marcsmithmusic Facebook, under Marc Kelly Smith twitter.com/marckellysmith
What is your book about? Please provide a description.
Take the Mic is an essential guide for taking your poetry from page to stage. Marc Kelly Smith, founder and grand founder of the Slam movement, serves as you personal tutor, showing you how to pen poetry that’s conducive to on-stage performance, overcome stage fright, develop memorization skills, connect with your audience’s heart and soul, and take your show on the road by transforming your hobby into paying gigs. Take the Mic is packed with practical exercises you can do alone or in class to hone your skills and transform your body, mind, voice, and spirit into an engaging stage presence.
Stage a Slam is an all-in-one manual for Slam showmasters and organizers. Marc Kelly Smith, founder and grand founder of the Slam movement and host of the very first Slam event ever at the Chicago’s Get Me High Jazz Club in 1984. Since then, Marc has been involved with developing Slam shows and local and national competitions and showing others how to do it all across the country and around the world. In this book, Marc shares his 20-plus years of experience with you, leading you through the process from vision to opening night. Here you discover how to plan, promote, and stage a successful show; choose a venue; attract top talent; deal with stage, sound, and lighting issues; and market special shows.
How long have you been at work on this book?
Ever since we was little fellers. But seriously, we took about nine months to pen The Complete Idiot’s Guide to Slam Poetry, which, through the miracle of cell division, has given birth to these two books. It has taken us about nine months to adapt the text into these two books – so that’s about a year and a half altogether.
How did the idea originate?
These books have a past. They began as one book – The Complete Idiot’s Guide to Slam Poetry, the brain child of Alpha Books acquisitions editor Mikal Belicove. Mikal contacted Slampapi (a.k.a. Marc Kelly Smith) about the prospect of writing the book. Slampapi was too busy slammin’ at the time to take on this exciting new project himself, so Mikal introduced him to Joe Kraynak, a professional author who was living in Indianapolis at the time. The two met in Chicago, where after some initial pleasantries, Joe asked, “You’re a writer, so what do you need me for? Why not write the book solo and keep all the money for yourself?” Marc explained, the two shook hands, and nine months or so later, the baby was born... and most people think you can’t get pregnant by shaking hands.
Unfortunately, sales of the book were less than stellar, but Marc and Joe still believed in it. They wrote to Alpha Books requesting to have the rights back, and then Marc pitched the idea of revising the books to Sourcebooks. Instead of doing one book, however, Sourcebooks wanted to split the book in two – one for poet-performers and one for slammasters/organizers. Marc and Joe agreed, and there you have it.
Did the book entail any unusual writing habits or places?
Joe is a very linear thinker and writer. He starts with the introduction and cranks out chapters until he reaches the end. Marc prefers a more circuitous process. Joe started as he usually does, working with Marc to develop a table of contents and then breaking the TOC down into chapter boilerplates or templates – a separate Word document for each chapter containing only the headings for those chapters. He sent the batch of boilerplates to Marc to have him do rough drafts – pouring what he knows about each subtopic below the section referencing that topic. His instructions were for Marc to do “brain dumps” under each section – giving Joe the content he needed to develop each chapter.
Joe expected to see Marc start with Chapter 1 and work his way to the end. The first chapter Joe received back was Chapter 23. Even more shocking for this linear thinker is that Marc hadn’t even finished the chapter! About a third of the headings had nothing! So much for Joe’s linear approach.
Since that didn’t work, we made some adjustments. Marc would do a little on one chapter, a little on another, a little on another, and so forth, and send the incomplete chapters to Joe. Joe would do his thing and try to finish drafting the chapters and send them back to Marc. With each revision, they changed the letter at the end of the file name from A to B to C, and so on, to keep track of which version was the most recent. For most chapters, they had drafts up to G. Sometimes, they even got into K and M. It was a glorious mess.